![]() ![]() The "finger snap" percussion at very first second of Diana Krall's My Love Is (Love Scenes, DSD64, local HD) can clearly be heard with pleasing clarity. Sax and trumpet bites are "friendlier", percussion starts and stops more instantly. Vocals retain warmth, details and separation are intact or even slightly to moderately better. Smaller scale materials benefit from the format too although in different magnitudes and from different perspectives. Lightweight than a Steinway but not thin. His period forte piano no longer strikes me as a thin sounding instrument. Same can be said about more modern close miking recordings such as Kristian Bezuidenhout’s performances of Beethoven’s piano concertos (Pablo Heras-Casado conducts Freiburger Barockorchester, Qobuz 24/96). Music comes thru more convingly than ever. Words like "composure", "top to bottom balance", "depth" come to mind. 3 "Eroica" (George Szell conducts Cleveland orchestra, Qobuz 24/192) and The 5 Piano Concertos (Leon Fleisher, Szell, Qobuz 16/44.1) and the likes, all just sound glorious. 4 (Wilhelm Kempff, Ferdinand Leitner, BPO, Qobuz 24/96) and Symphony No. Even historic and distant miking performances of Beethoven's piano concerto No. It's probably my best RAM disk format now, especially with 64K/128K allocated cluster size. If I'll get errors attempting to create a lower-than-64Mb disk (my approximation) in FAT32, I can easily create a 32MB or of lower capacity disk in exFAT. A worthwhile advantage of exFAT format is that the lower disk capacity limitation has been removed or improved. ![]()
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